Despite my proud declarations of what I consider credible choices in music over the years, the endless hours I spend on HypeMachine listening to mash-ups of Miike Snow tracks (and other tracks, for the record) and Spotify compiling the ultimate playlist – i have a somewhat guilty pleasure. I don’t half love a nice bit of classic rock. Yes really. It all started when I got my first non-baby-sitting job at 16yrs old at a hippy emporium in the Granary Wharf in Leeds. It was the ultimate crusty-that-washed gig – my friends were, despite their protest otherwise, all well jealous.
ANYWAY, this shop was under the train arches so we got freakish amounts of dust every day and being a lowly assistant – I got the enviable task of dusting the various imported wooden statues & trinkets my boss had brought back from Pakistan & Nepal. First of all, these wooden delights were clearly manufactured for the western market as I really didn’t see wooden toadstools and spliff-toting gnomes being a massive hit East-side but second of all, there was A LOT of them. My boss and his son were massive fans of classic rock so my musical landscapes were opened up along with my capacity for other imports that made their way along with all the paraphernalia brought over each month. Our favourite cds were a set of 60s 70s and 80s rock cds, one for each year. I never did remember which my favourite year was but it was here that I became wickedly fond of such gems as Black Sabbath’s ‘Paranoid’ (by the far the best track ever to dust elephant’s heads to, I’d thoroughly recommend it), Journey’s ‘Don’t Stop Believin’ , Rainbow’s ‘Since You’ve Been Gone, Europe’s ‘The Final Countdown’ and the cheese-fest Starship’s ‘We Built This City’(performed in duet form whenever possible).
Later on this fetish diversified to more mainstream territory as I developed the inevitable weakness for boys with tats that play guitars and ideally jump off speakers at any given opportunity. It’s come back to it’s original roots in the past couple of years in the form of the comeback of AC/DC. While Black Ice didn’t really do it for me (Back In Black &Highway To Hell For Me – I actually air-drum to If You Want Blood, it’s beyond tragic) , seeing them play at O2 last year was everything I hoped it would be and more. I was the only girl in my area, not really a surprise when you consider the topic of song subject and the (magnificent) stage sets – AC/DC are over the top, about as far away from PC as you can get. You can tell why so many blokes of a certain age(who I was surrounded by at O2) use them as their form of escapism. They’re just fun, and over the top, and hilarious. Fittingly, Iron Man 2’s soundtrack is rammed full of AC/DC’s back catalogue – I couldn’t think of a better fit, enjoy…
:::NB – this post is dedicated to my dear friend Kelly Abernethy, the original girl that was Born To Rock – HAPPY BIRTHDAY, KEL – I MISS YOU!!:::